Will everyone stop giving this nasty homophobic cunt work so she can crawl back under the rock from whence she emerged?


It started with Strictly Come Dancing and, to be fair, we wouldn’t have minded Ann Widdecombe being dragged around the dancefloor if it had been face-down. It wasn’t.

Then she (who really is the dog’s mother. Sorry, just the dog. No offense to dogs) got a job in panto, despite the fact that she has a voice that sounds like she’s been punched in the throat, charisma that doesn’t even measure on the most powerful charisma-o-meters and a face that looks like an old man’s scrotum from behind, stretched a bit. Then it was a game show on Sky, and never mind that she has the wit and repartee of a discarded Chewit.

And now she gets an opera! At the Royal Opera House, no less. Now, this being opera, there must be some gays involved so quite what they are doing tolerating this vile homophobic bitch in their presence, we will never know. Unless it’s all a ruse to drop heavy scenery on her head.

Can we just make this clear: it is not clever or funny to employ a nasty-faced homophobe. Would you all be falling over yourselves to employ a racist because she was game for a laugh? No, you would not.

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Will everyone stop giving this nasty homophobic cunt work so she can crawl back under the rock from whence she emerged?, 9.7 out of 10 based on 6 ratings

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